#because it isn't that much tbh!

[rawliverandcigarettes]

Ok gang!!!

It's been a while, and I think it's time to come clear about a plan I used to have, and how I am very unsure about whether or not it's worth doing.

I technically have the first chapter of The Empire of Preys ready to go. I have basically only that. I did plan to release it on the birthday of Halfway Home's last released chapter, but the truth is: it's happening smack in the middle of an incredibly busy time for me, so I have basically nothing ready as far as promotional material goes.

Also, and it was my plan for a little while, I don't think I can sustain the one chapter per week release schedule I once had with Halfway Home --and I had to come to terms with the fact that I do not have it in me to polish that story nearly as much as I did Halfway Home. I still love it, I still want it out... but I think I'll take it much slower and at a more regular "fanfic" pace for me than what I did with HH. The story of TEoP is not completed yet. I am not completely sure on how to go about certain PoV characters. But, I feel like I can't wait for a "perfect" version like I did with HH, or I will never release this story.

So, while I'm not sure whether or not I'll actually post the first chapter on the 20th of April, I will try to begin posting it relatively soon, and make no promises on when the next one will come out.

I have, however, character portraits in the work! It's coming!! At some point!! Maybe this week if I can finish my work by then!!

Anyway, I hope you are all doing fine, and stuff is doing good, and all of the things. <3

[wasyago]

we're at it again🕺

[tropicalcontinental]

Human fear is the window to the soul or whatever ://

[happyk44]

percy needs to be haunted by bianca's ghost more

[4thwallbreakerdraws2]

SHOWSTARS

Working on the asks again, but have this colored piece of SMG16 and RTV!Puzzles for now. Their duo name is SHOWSTARS (or BLUESCREEN if we take the angst path).

Please note that SMG16 belongs to @birdy-four and that these two are meant to be seen as STRICTLY PLATONICAL!

Anyway enough yapping!

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[starry-bi-sky]

Clone^2 danny headcanons and/or facts that i wanted to expand on but didn't have the motivation or inspiration to write a ficlet about. Ultimately most of these are ideas that already exist in canon clone^2 but are only now being expanded on/explored/stated specifically.

Because I'm procrasinating cfau and passively thinking about clone danny and damian again.

1 - As he's liminal, Danny generates his own ectoplasm. He generates it at a slower rate than the casual ghost but faster than the average liminal. It's what gives him an ecto-signature and results in him triggering his parents' weapons and ecto-sensors.

The ectoplasm he generates actually has a use, and he tends to burn through his supply while he's fighting because of all the physical energy he spends + the use of his scary eyes requires (albeit really minor amounts of) ectoplasm to use. It also has health benefits, as using his ectoplasm keeps his heartbeat steady and lessens the risk of his arrhythmia flaring up due to all of his physical activity and adrenaline.

It does happen occasionally that he uses up more ectoplasm than he can replace, and this has the expected negative effects on his health as all that adrenaline and stress catches up to his heart without a buffer to mitigate it. He carries a canteen full of diluted ectoplasm with him in order to give his system the boost it needs in order to stabilize itself, which he can usually tell when he needs due to excessive fatigue/chest pains/dizziness/other arrhythmia symptoms he gets that means he's low on ectoplasm.

2 - Danny's arrhythmia is a form of bradycardia (which is a slower heartbeat) -- what type? Unspecified / Unknown thanks to it being ectoplasmic in nature.

3 - In that same breath, Danny also has to burn that ectoplasm off in some form or another because if he doesn't it builds up and causes him the same issues as if he was too low. It also causes him to become more emotionally volatile, restless, irritable, overstimulated, etc, which the stress of that then makes his heart condition worsen. If too much ectoplasm builds up, it'll cause a physical electrical shock/shortage. This is rare however, and usually is the equivalent of giving someone a painful static shock. At best it makes the lights flicker or technology fritz out for a few seconds.

While it doesn't have much effect on the physical world, it does expend a good chunk of ectoplasm. Think like dumping out a heavy bucket of water that you've been carrying for a while, or getting into a hot shower after being outside in the cold for hours. It's emotionally draining but very relieving.

4 - Danny can replenish ectoplasm or generate ectoplasm faster by resting, eating, consuming other ectoplasm (fastest), fulfilling his interests / doing things that makes him happy, or by being exposed to high amounts of ectoplasm in the area. He can also rapidly generate it by being in a volatile emotional state, but that drains ectoplasm almost as quickly, and runs the risk of causing flare ups in his arrhythmia.

5 - this is actually canon to the au but I figured it wouldn't hurt to expand more on it / clarify / confirm, but Danny post-Damian has chronic pain in his hands from the nerve damage he sustained. He has daily physical therapy exercises he's supposed to do that he does in the mornings/evenings and whenever his hands hurt/feel stiff. He wears compression gloves in his day-to-day life and gets Sam and Tucker's help to brainstorm ideas about how to make compression gloves for Phantom that can include his knuckledusters. His grip and hand strength is weakened.

He has bad hand days where his hands hurt more than usual. This can happen at random, but is more common after he's overused/strained his hands either the day before or earlier in the day. His fingers stiffen up for similar reasons, and he gets tremors. It's happened before where (for example) he's braiding his hair and unbraiding it, only to need someone else to finish the braid because his fingers stiffened up and don't want to work like he wants them to.

Massages, heat, pressure, etc. helps soothe the pain, and since Danny's a fidgety person his friends and family can usually tell when he has a flare up because any hand movements he was doing prior ceased/slowed suddenly, or he starts massaging his hands / stretching out his fingers.

Damian very stubbornly insists on massaging his hands for him when this happens, he has a lot of intense guilt for being the reason for Danny's chronic pain so he wants to alleviate it in anyway he can.

6 - Danny has what I like to call "Bruce-isms", a word I came up with just now that means he has Bruce Wayne mannerisms that come from the fact that he's still Bruce's clone. A Nature vs. Nurture thing. His Bruce-isms include the Bruce Grunts Of Ambiguous Tonal Meaning ("hm", "hrm", "hn"), his workaholism, his paranoia (on a milder scale), etc. They're small, relatively non-defining things that are quirks but don't make up his personality.

He's got what Sam and Tucker like to call "Bruce Wayne Moments" which are essentially Bruce-isms but only ones that Danny and his friends are aware of considering they only know Bruce as Brucie Wayne and not Batman. "Bruce Wayne Moments" include Danny being clumsy, doing something air-headed, being oblivious, etc. It's not a common joke among the three of them since Tucker and Sam know that Danny's still pr sensitive to the whole clone thing. So they only bring it up when he's done something stupid but hilarious.

7 - while clone^2 focuses more on Danny and Damian's relationship and Danny helping Damian develop his identity beyond just "Damian Wayne's Clone", Danny still suffers from his own identity crises. He sometimes gets jealous of Ellie and Damian for being "lucky" that they always knew they were clones, rather than finding out later in life.

He's aware that this is not fair to think and that Damian and Ellie both have their own struggles as clones, but he can't help it sometimes.

He tries not to think about it too much, but when things get too quiet or when he's not busy, Danny can't help but wonder how much of himself is things he's learned on his own and come from him, and how much of it comes from being Bruce Wayne's clone. He has to stop and count how many things are unique about him specifically when he starts to emotionally spiral. It's not rational, but it's not supposed to be.

As a result Danny kinda, hm, clings to his identity as the Phantom, just a little bit? He thinks it's one of the few things that he has autonomous control over as "Danny Fenton", rather than it being a result of him being Bruce Wayne's clone. Because Bruce Wayne isn't a vigilante! Right? Right?

Consequently this becomes one of the reasons that Damian keeps mum about Bruce Wayne's identity. The original reasons were because Danny asked not to know much about the LoA beyond what Damian already told him, and Batman was technically "apart" of the LoA, and secondly because he just didn't want Danny to get involved with Batman and co and Danny knowing about Bruce Wayne's identity could potentially cause that.

But as time goes on Damian kinda notices like, just how being a clone is affecting Danny even if he hides it from Damian pretty well. He can't really comprehend what it was like for Danny to grow up thinking he was normal like everyone else only to find out he was a clone, but he does see the hurt it's causing his brother. And he does notice that Danny was holding onto being Phantom quite a bit, and figured that if he found out Bruce Wayne was also a vigilante, it would hurt him beyond belief.

8 - So Danny's creation has been kept relatively,,, mmm,,, vague? considering I've been struggling for a time how I could plausibly have his creation happen without Bruce finding out about it immediately. And my conclusion is that around the time Danny was created, Bruce met up with the Fenton parents again for some reason or another -- checking out their tech under the guise of wanting to catch up with them.

And I can imagine that, due to being close friends in college, the Fentons literally just outright told him, "Hey we wanna 'nother kid but don't want to go through the risk of pregnancy again, so we're gonna make a clone of one of us instead"

and in true Bruce fashion, he mentally went "wow i should learn Everything And Anything About This Thing Specifically. Just In Case." and outwardly went "woah cool! ahaha how does it work"

and since the Fentons consider Bruce a close friend and are also incapable of Not Talking About Science, turned and went "OH WE CAN SHOW YOU" and showed Bruce their entire cloning process up to and including how they (safely) extracted the DNA they were gonna use. of which they already had. they were gonna just extract Jack's DNA a second time as an example, but it was Bruce who said "hey you should try me instead" in order to gauge how exactly safe this was and if there were any symptoms he would need to recognize in cloning.

so with his consent they did, and then showed him how they were going to use the DNA to make a clone without actually going through the process. Without prompting from Bruce, the Fentons went "we're gonna throw your DNA away though since we don't want this lying around and because we have no use for it" and visibly showed him that they were disposing it.

Bruce came to the conclusion that the Fentons weren't planning anything nefarious, they just really wanted another kid, and (reluctantly) left afterwards. The mixup comes when Maddie, surprisingly, misplaces the cartridge with Jack's DNA in it and while they could have always gotten another sample, it was better and safer to just try and find the original before that.

Jack finds Bruce's in their disposable. In his excitement, he forgets that it was Bruce's DNA, and manages to get it out safely. Maddie wasn't looking when he found it, and in her excitement also forgot to ask where Jack found it. They used that cartridge instead.

When they found out they used the wrong DNA, Danny was already about year old and while Jack and Maddie are morally dubious, they're only morally dubious towards ghosts. Danny was their beloved human baby, they would never do anything to him.

That being said, they were still horrified when they found out, and really, they genuinely did consider reaching out to Bruce to tell him. They thought it was something he deserved to know since it was his DNA that got used instead, and they felt awfully guilty after he trusted them enough to let them draw DNA from him. The only reason they hadn't is because, at the time, Bruce had been really busy with something in his public life and they didn't want to bother him during such a stressful time.

So they were going to wait, and in Fenton-like fashion, forgot to tell him. When the subject came up again sometime later, they assumed they already told Bruce and went about their day.

[pastelnightgale]

I think Dev should have his memories of the finale not necessarily because of the fairies but because of the frankly horrifying nature of his realizations regarding his dad.

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[blorboindulgence]

Love Letter Memes 3

I wanted to get these out of the way before working on the actual drawing for chapter 22. I am using a lil demon and angel symbolism for it and I remembered one of my favorite memes: "I could be your angle - or yuor devil"

Love Letter by @lunarleonardo

[amethystina]

So my brain is at it again...

And this time it wanted to inform me that it would be very interesting with an amnesia fic where Ga On loses his memories but can still detect emotions related to those memories. Just imagine the possibilities.

Quick disclaimer: I'm sure there are several amnesia fics in the fandom already — maybe even one exactly like this — but I haven't read them so I'm just going to tell you all about it anyway because, to me, it's a new idea xD

Anyhow.

Imagine him waking up at the hospital, sometime during the later half of the drama (maybe he got shot instead of Soo Hyun and complications led to him getting memory loss — idk, let's handwave it for the sake of the scenario), and he's met by Soo Hyun and Professor Min. And while Ga On can't say what their names are, he can tell that he knows them. He can't access the memories but he feels the affection and the trust and accepts that they must have been a part of his life previously. And, understandably, they become the rocks he clings to because everything is new and confusing. He can still remember how to do basic things — he could probably even drive if they put him inside a car — but not who he is.

And Soo Hyun and Professor Min are going to have a rough time explaining some of it, no doubt.

Like, imagine the pain when Ga On asks where his parents are and even before Soo Hyun or Professor Min say anything, Ga On feels a rush of grief and anger. Because he doesn't remember them dying, but his body remembers the anguish of that tragedy all the same.

Some things are more humourous, though. Like: "... why is my face plastered all over the city? Am I famous?" Ga On would be so confused because the emotions he feels as he sees billboards with his own face aren't necessarily good ones. He mostly feels embarrassed and self-conscious. But he is kind of proud when he hears that he's a judge. It must mean he's smart.

Anyhow. The real fun part begins when Soo Hyun brings Ga On back to his apartment and Ga On is like: "Yeah, this is familiar." But he can also tell that, no, it's not right. It's not home. It feels cold and stale, as if he's not really living there anymore. And he doesn't understand why. Because, according to Soo Hyun, he's been doing so since he was a kid. But Ga On just shrugs his confusion off because, all things considered, he trusts Soo Hyun more than his own memory.

Also, imagine when he asks Soo Hyun if he has a girlfriend and she looks stunned, then awkward, then shy, and starts giving some mumbled response that no, he doesn't — at least not that she knows of. And Ga On has an "oh" moment because her behaviour makes it very clear that she'd want to be that girlfriend. But then he'd get confused because what he feels when he looks at her is a lot of warmth and love, sure, but not that kind of love.

Because this Ga On doesn't have years of memories to confuse him and muddle their relationship — he just feels the emotions. And, from his currently pretty objective point of view, it doesn't seem like romantic love.

He may love Yoon Soo Hyun very much, but he's not in love with her.

He doesn't tell her that, of course, because that would be rude, but he definitely makes a mental note to be careful with how he acts around her because he doesn't want to accidentally lead her on.

And it continues like that, with Ga On trying to navigate the world with nothing but emotions to go on. Which, obviously, will sometimes become very overwhelming for him, but he's stubborn so he'd still try and, of course, do his best to recover his memories. And some start to trickle in eventually, but it mostly old ones that are very deeply ingrained in his psyche.

Eventually, Professor Min decides to bring Ga On to the Supreme Court. Not to make him go back to work or anything — that would probably be disastrous considering the state Ga On is in — but to see if any of it can jog Ga On's memory. And sure, Ga On can tell that he's been in his office before and he can tell that he's met Jin Joo before — he feels both intimidated and bewildered by her — but nothing really stands out. All of it is just like ghostly silhouettes of a former life he knows he must have had but can't see clearly.

And then he meets Yo Han.

Just sees him from afar at first — Yo Han isn't even looking in Ga On's direction — but the familiarity still hits Ga On like a freight train. That is someone he knows as instinctively as he knew Soo Hyun and Professor Min. And before Ga On can really think things through, he just walks up to Yo Han because, clearly, this man is important. Ga On can tell that this man is important because his heart starts racing, his breaths go shallow, and he's suddenly overwhelmed by such a myriad of confusing and conflicting emotions he can't even sort them out. Some are negative — even outright alarming — but there's also joy and fondness and longing.

Which just makes him even more confused when Professor Min catches up and explains that this is Ga On's boss. And said boss looks at Ga On with what he first thinks is bland indifference. But the longer he stands there — and listens to Professor Min tersely explaining what they're doing there to Yo Han with half an ear — Ga On realises that, no, that's not indifference. There's something underneath it — a spark of something else he can't name but can definitely tell means something. And he desperately wants to know what that something is. He wants to scratch at it until he can peel away the layer of indifference hiding it from sight.

He needs to know.

But then, not long after that thought has crossed his mind, Ga On is reminded of the fact that this is, apparently, his boss. His male boss. And Ga On really shouldn't be feeling any of the things he's feeling. But, at the same time, he can't just ignore it. Because this is what a connection should feel like.

He might not have a girlfriend but, clearly, he has someone he's in love with.

And that's a little daunting, not to mention disorienting. Because Yo Han doesn't look approachable at all, and there is also a lot of frustration and anger mixed in with the much happier emotions when Ga On looks at Yo Han. There's just so much. And Ga On is confused because he can't really see himself falling in love with the man in front of him. Yo Han doesn't look like a very kind man.

And then, suddenly, Ga On realises that he has no idea if Yo Han knows that Ga On is in love with him. Maybe they're even a couple? It sure seems like they could be considering the attachment Ga On feels. He gets impulses to be physical in a way he hasn't with anyone else he's met thus far. He felt comfort hugging Soo Hyun, sure, but this is something else entirely. This is a need burning inside of him, urging him to draw closer to Yo Han.

He kind of wants to kiss Yo Han, right there in the corridors of the Supreme Court.

But Ga On can't be sure because Yo Han isn't exactly easy to read and aside from that spark of something when he looks at Ga On, Yo Han is impenetrable. And, if they were a couple, wouldn't Yo Han have insisted on finding Ga On earlier? Even if they have some sort of secret relationship that Soo Hyun clearly isn't aware of? Shouldn't Yo Han look more worried?

So maybe they're not together? And Ga On is just hopelessly in love with his boss? A boss who, judging by the way he looks at Ga On, might not even like Ga On.

Whichever it might be, Ga On realises he has to find out. His old memories are already trickling in, slowly but surely, but they're all of Soo Hyun and Ga On's parents and stuff that happened ages ago. And Ga On wants to know more about his life now. He wants to know more about Yo Han.

And he desperately needs to know if his feelings are reciprocated.

Even if it will definitely break his heart if he finds out that they're not.

...

SO YEAH.

It would be quite fun, wouldn't it? If I can find a way to make the story relatively short, I might just write it. Because I'm really intrigued by the concept of Ga On still having the emotions attached to the memories, but not the memories themselves. So he'll remember being both frustrated by and attracted to Yo Han. But without all the memories and years of influence from Professor Min and Soo Hyun fresh in mind, he wouldn't understand the negative emotions as much, nor put as much weight on them.

And it would be interesting to see how that would change their dynamic.

Because some of Ga On's behaviour would still be the same — he'd still be stubborn, righteous, a bit awkward etc. — but he'd also be freer. And a lot freer to act.

So that would be interesting, I think?

And now my brain will hopefully let go of this story and let me focus on other things for a while

[nebula-remnants]

oh man... you have no idea what i'm about to drop on you all.

HEY!!! so. I made a GIANT list of headcanons for Sun and Moon that are all autism related since I have an excuse to now. I gave twitter a warning but I forgot to here so sorry to anyone who clicks to keep reading and goes into this post unprepared.

I did want to make an attempt to make this easy to read so, Green is just going to be for regular but still have some in depth meaning for why it's on this list, Orange is for a headcanon that is more serious!! I try to word myself correctly and explain why these ones are important in the case of accurate. (sometimes PAINFULLY accurate) representation. I wanted to go in depth for symptoms that are less discussed. so i'm going to discuss them the best I can regardless because their just as important to representation. ideas that stray from canon and are more my interpretations of how I think they'd act in certain situations will be pink

Both get frustrated when you mess with their stuff (this could just be a cleanliness deal for the daycare exclusively, however the barrels aren’t exactly a major mess since there are so few of them, so it can also be taken as wanting items a certain way. I kind of headcanon it as a bit of both tbh

I think Sun would have a strong sense of justice. He is a “hero” character as far as old theater traits go. And his canon behavior suggests he’s both petty and controlling of his environment. I believe those traits are a result of his current situation, but with this headcanon a sense of justice would go in perfectly because it means he’s strongly bound to his moral beliefs. Now it’s good to mention a strong sense of justice is NOT always a good thing!! Having a strong sense of justice does not automatically mean someone has all the correct moral beliefs, but it can sometimes make people self righteous (especially when they aren’t self aware.) but anyways moral righteousness does not always mean correctness!! I really like this headcanon especially because it’s complex, it falls into morally gray areas. Has good intentions but can hurt people by accident. Some of this applies to Moon too but I have less canon material to work with.

I think Moon would go COMPLETELY non verbal when upset, but it would go easily unnoticed because people might just assume he’s always quiet. which y'know. isn't okay obviously, but for his circumstance I do feel it would be at least accurate.

I don’t think they would know about being autistic themselves. LET ME EXPLAIN. So if the Fallfest thing is right they’re potentially from the 70s, that makes them old. Plus they’re robots. It’s not like someone realistically would go and diagnose them with autism, unless like, the guy that made them was autistic and was projecting onto them HARD. but what i’ve noticed from older family members that went nearly their whole life without a diagnosis?? They kind of just. Suffer and think it’s normal. My father has ADHD and kind of went most of his life thinking he was just a problematic kid in school, actually i still think he does 😭 (spoiler: he had a hard time focusing on subjects he wasn’t hyper fixated on and was treated without any accommodations even considered) the reason i bring this up for Sun and Moon is i think they sort of just go about their business thinking it’s normal and everyone experiences those things. So basically I think they’d be undiagnosed in the fnaf universe (or could have some outdated information about autism stored somewhere, like I even did a few years ago. because in my opinion I haven't really seen any widespread information until more recently and that's how I found out LATER in my life, when some damage was already done). Someone tell them please

I think masking would be minimum, they probably try a little bit but give up and decide they don’t care anymore (like I said, it’s possible that they’re older, so give them a break)

On the topic of not being aware of symptoms I headcanon Moon (or at least pre security breach one, maybe, idk) as the kind of autistic to have a hard time realizing he’s upsetting or genuinely scaring people. He’s being whimsical, but like, wouldn’t realize unless specifically told so. I don’t believe a potential nicer form of moon would be there to intentionally hurt people (i don’t like the idea of him being evil just BECAUSE) but i think he could still cause all kinds of distress by accident. I certainly don’t think he’s shy (and i believe Kellon Goff corrected himself in a later tweet and said Moon wasn’t exactly shy himself but he used a shy part of his life to bring Moon to life, if i remember correctly (correct me if i’m wrong bruh i don’t wanna misquote the man himself 😭)) Canon Moon probably isn’t shy but instead he gets to be fluent in being awkward in a conversation

I mean don’t get me wrong I adore the idea of shy moon but it’s most likely not going to be anything we see in canon. But in an au? Or in your own headcanon? Go crazy, make that man shy, be a little self indulgent. You’re not required to stick to canon to a tee.

I definitely think Sun and Moon would have clashing sensory needs. being opposites but also having a common root in an issue whether they want it to be there or not is like their whole thing. A lot of clashing except maybe the clicking they do. They fidget and click a LOT and the clicks are so pleasant to my brain so i think that could be maybe a similarity. As far as clashing sensory needs I think, y’know, if they were to be given separate bodies, because I actually really like that idea of seeing how their dynamic plays out that way (lots of fighting, so much fighting)... I DONT CARE IF IT MOST LIKELY WON’T BE A THING IN CANON BECAUSE OF THE DYNAMIC STEEL WOOL IS LEANING INTO SHSHHSHSHSH I CAN DREAM. 

Anyways I think Moon would have sensory issues related to lights (duh) and sound (MAYBE sun for sound too, if he has less control of it. Just because he’s generally louder doesn’t mean he couldn’t have an issue with unwarranted sound. And if anything, in the daycare I think that would contribute to his burnout MORE.) thought i definitely think Moon would be more reactive to noise and lights considering he’s much less used to them (that doesn’t exactly dwindle sun’s ability to become overstimulated to a sound because he’s used to it, but he might have a much more subtle response to it after a while like the snappy behavior/burnout in hw2. While I imagine Moon for once having a much more obvious response. (kind of like how he reacts to the lights in ruin but probably only half as much)

I think they both reacted to overstimulation through getting snappy, so like in an au where they’re physically separated and they have clashing sensory needs that’s… an easy argument starter. Visibly doing some small behavior that screams irritation on Sun’s part. And moon probably stares at you, but angrily (you can’t tell because he doesn’t have fucking eyelids)

I think the movements they do in canon are some form of stimming. Like I mentioned before, I think they enjoy the clicking. Moon does the movements with his head and rotating his face a LOT. and i began associating it with stimming a while ago. As for negative stims when stressed and anxious. Their wires are exposed. There may not be evidence for it but maybe that’s something they mess with. Also, no evidence for this but I felt like there damage in ruin was both from the situation and themselves, can be taken as a more self destructive (kind of like how scratching/hair pulling can be considered stimming at times for humans) but most likely accidental form of this. Or more likely a stress habit and causing more damage from fighting for control (idk man I kind of lost myself on this one)

Also!! The staff bot parts in their room, and later in Ruin more parts from endos are present. I think they fidget with parts on occasion. This strays from autism related headcanons but Those parts being there in the first place i think is Moon’s doing, and based on his behavior in ruin along with similar cases recorded in security breach i take it as frustration/misguided anger. And eventually because those parts are yk, there after Moon did whatever it is he may have done, i wouldn’t be surprised if the stuff in their room is occasionally fidgeted with as a distraction. The only evidence I really have for this is that in Ruin those items are all sorted. Someone was doing something as a distraction.

There’s no way they would be flirted with in a roundabout way and immediately understand, you need to be DIRECT AND TELL THEM WHAT YOU WANT!!!

I think Sun might easily misinterpret all kinds of things he's told, and be completely confident with his interpretation, while while recognize when he's a little unclear, decide it's probably not important if someone wasn't being clear, and then forget.

For whatever possible circumstance this would EVER come up I don’t think Moon would enjoy phone calls, nor would Sun but I think he likes yapping so he’d probably talk your ear off and then get really sidetracked. Moon would just respond with simple one word answers, or not all (me, i do that, i’m projecting) I don’t think Moon is shy in canon but i do headcanon he just, sucks at holding up a conversation (projecting again)

basically canon but hypo verbal Moon and hyper Verbal sun. (this gets a little too personal and realistic and a second) I just want to say that because it’s a trait associated with autism and instead of them just being considered too quiet or too loud, they are literally just being themselves. This also goes along with the idea where they wouldn’t realize they have autism, and just think whatever they’re doing is considered normal for everyone else so hey might recognize people think of them poorly but might not realize what someone has a stick up their ass about until someone is like “ermm you talk too much/too little 🙄” actually i definitely think they would get criticized on a daily basis for that. I have my own ideas about how they would react in an immediate situation vs over time after being told over and over again. And basically, I think Moon would kind of… NOT react at first but it would get to him later on and that’s when he goes completely quiet or makes sure to avoid people. I think Sun would react negatively on the dot (in one way or another) and stew in frustration for a bit, and sometimes it might come back to him on occasion.

A part of me wants to believe moon is capable of yapping but he spaces it out, like I think he’d randomly tell you a fact and then go quiet for a while. OR!!! OR!! He’d tell you a joke then wait for you to laugh as he stares at you intensely and silently.

I think Moon would mutter to himself a lot, but so quiet and muddled from an outside perspective it's completely incoherent. Sun too but a little easier to hear. Speak out loud in a quiet voice but still loud enough that still makes people briefly pause wandering if he’s speaking to them.

What if they were both heat sensitive… imagine getting to go outside (if they were part of Fallfest than maybe first time and years) but it’s during the summer, and they're both fatigued and miserable. I see a lot of people say sun would absolutely love summer, but considering if he is from Fallfest, and assuming they shut off animatronics when not in use, he’d realistically he might not even be used to summer at all. Then in this case it would actually be sort of an ironic situation where he grows to dislike summer heat.

okay ya'll I think it's done for NOW. I have a few I left out because they were half baked, or too vague for what I wanted to say so I may edit or add onto this in the future. a whole load of this ideas are also things I wanted to implement into my AU so!!

UGRHHHH IK I HAVE AUTISM BUT ITS NOT LIKE I EXPERIENCE EVERYTHING MENTIONED HERE SO I HOPE I DIDN'T MESS UP ANYTHING BUT LET ME KNOW!!

[kanansdume]

I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.

The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.

Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.

But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.

So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.

[pekoeboo]

some simple arts of Agent 47 because I've been thinking a lot about the Hitman series again lately. still love this messed-up bald assassin, honestly lol. it was kinda fun to try and draw him again; it's been a while :'0

please do not remove caption or repost. also on deviantart

[loxare]

do i.. WANT to know about the drumlins?

YES YOU DO

Drumlins are glacial landforms, which means you find them only in places that have been glaciated. And they're very distinct when you know what you're looking for.

A hill with one steep side, one looooong sloping side, and you've (most likely) got yourself a drumlin. (Unless it's small. Drumlins are tens of meters high and hundreds of meters long, so if you've got a short one with way more elongation, you've got a drumlinoid.) They're all over Canada,the north eastern US, and northern Europe. The one pictured above is in Ireland. The ones in Canada and the US formed as the Laurentide Ice Sheet, a kilometers thick mass of glacial ice, was spreading across North America during the Last Glacial Maximum

There are lots of really cool glacial landforms (eskers and kames and lakes (Glacial Lake Agassiz my beloved) and like a dozen types of moraine), but drumlins are my favourite because they're so incredibly easy to identify, they occur in swarms, and they're kinda weird as hell

There's still some debate among geomorphologists about how, exactly, they form but I was told that the (mindbogglingly huge mass of) ice catches on a sticky uppy bit of bedrock and instead of mowing it down like a child kicking over a stack of blocks, moves around it instead. And because there's now a place behind the bedrock where there's less ice, the ice drops a whole bunch of glacial till (all the bits of sediment that did get mowed down like a child kicking over a stack of blocks) on the other side of the bedrock bit

(This is a constructional theory, where the drumlin is built up. the other main one is the erosional theory, where everything but the drumlin is eroded. There's also a theory that drumlins are deposited by subglacial meltwater, but that one is highly controversial)

"Now wait," I hear you say, "go back a bit. What the fuck was that about swarms?"

They occur in swarms.

If you've got one drumlin, good chances you've got a lot of drumlins. Which is actually amazing, because the steep side of the drumlin faces the direction of flow, which means we know exactly how the ice sheet moved. In this image, for example, the ice started at the top, near Lake Ontario, and then moved south. From looking at drumlins (and other glacial landforms, we do like to have multiple reference points), we know that the Laurentide Ice Sheet started in the Hudson Bay and crept out from there

And because they're so distinct (tear drop shaped, made of till, occur in swarms), and because drumlins can only have been made by glacial activity, we can look all over the world and find these things and know that this place was once under several thousand tonnes of ice

Not during the Last Glacial Maximum, but definitely ones before it. And I just think that's neat

[running-on-coffee-and-anxiety]

Noticed But Hoping For The Best Part 1

So this is based off this post I made about Danny slowly losing small motor function after the accident. I'll be doing this in parts, both for more writing time and because I have no idea how to add a 'read more'.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The first person to truly realize something was wrong was Jazz. Oh, Danny wasn't dumb, he knew something was different- after all, he was the one living through it- but it was no big deal. Fumbling with shoe laces could easily be due to exhaustion from adjusting to having to deal with ghosts, the same with slipping up on buttons or the slight decrease in the quality of his handwriting. While he wasn't dumb, there were some things he just wasn't perceptive about, and his sister noticed.

Danny thought he was just being clumsy any time food dropped onto his shirt. Jazz noticed his hand couldn't quite hold the fork or spoon steady. He laughed off a failure to catch something, but his sister noticed he did catch it but it somehow slipped through his hands. Small issues, new ones that had no reason to appear.

When she learned about the accident, that felt like a reason, but- Phantom was a part of who Danny was, and when flying around and handling things with ghosts or using tools, there were no indications of anything the oldest Fenton child had seen bothering her brother. It might be a new set of colors and new powers, but it was still her brother's body, so nothing could really be wrong. Maybe he was just more alert as Phantom.

The best she could do was keep an eye on the situation, nothing seemed to be going too wrong. Maybe Danny's insistence that it was just from exhaustion was true and she was looking too far into things. After all, the only scar from the accident was so faint it could only be seen if he got sunburnt or otherwise discolored his skin, something like that shouldn't be able to cause long-lasting problems.

Maybe it was optimistic, but Jasmine Fenton was hoping for the best.

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